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Innovation or novelty? Let’s find out.īased on Gibson’s J-45 workhorse, at least in terms of general shape, the G-45 moves up a notch – and if a bit of the old dreadnought thump and thunder is what you’re looking for then stay tuned.Īs we’ve already pointed out, construction details are the same throughout this quartet, and so it’s no surprise that this guitar feels similar to its little brother. So, not only are we looking at a new range of Gibson acoustics, we’re also exploring the whole player port idea into the bargain.
![gibson j 200 acoustic gibson j 200 acoustic](https://www.ginoguitars.com/images/products/Gibson-Acoustic-SJ-200-Standard-065-VS_01.jpg)
Each model offers artists and players of all levels an exciting new playing experience with the reliability, performance and iconic design you expect from Gibson.”
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Mat Koehler, head of product development, Gibson Brands, told us this: “The Generation Collection brings something new to our acoustic guitars while staying connected to all the techniques and philosophies that make the originals so great. You can see his blueprint for the ‘Modern J-45’ here on the left the player port might have been in a different location back then, but the idea was certainly looked at, even if it didn’t reach fruition the first time around. McCarty is someone who needs no introduction as far as guitar design is concerned, having aided the development of iconic models such as the Les Paul, ES-335, Explorer, Flying V and even the tune-o-matic bridge. Gibson tells us that the idea of putting a player port on its acoustic guitars came from Ted McCarty way back in the early 1960s.